Las compañías (2026)

In a cemetery in La Plata, Buenos Aires, a woman sets out to find Manuel Puig’s grave. She finds it—even after being told it is not the right one. Her arguments may defy reason, but she chooses to hold on to belief. The cemetery walk becomes a ritual, with time flowing like a clepsydra and a map taking shape: places where other bluish encounters happened years ago, alongside Manuel’s new pink-hued territories. And a favorite song runs through it all.