The nights we slept in chairs (2026)

Las noches que dormimos en sillas

Filmed on Super 16mm at a deliberate 18 frames per second, this visual tribute for the Mexican art-rock group 'Diles que no me maten'—a title borrowed from Juan Rulfo's iconic short story in *El Llano en llamas*—serves as both a nod to the dawn of cinema and a subtle rebellion against AI-generated visuals. Every trick of the eye was crafted by hand, with zero digital manipulation. No animals were harmed in the creation of this piece.