Flicker (2026)

A physicist and filmmaker named Dag Kaszlikowski crafts a brief, sensual meditation on how we perceive the world. His film dives into the scientific concept of the Boltzmann brain—the theory that a person is nothing more than a temporary flicker of particles, a phantom born from the disorder of a fading cosmos. Working from Singapore, this Polish creator dissolves the line between the solid and the unstable. The film insists that reality itself can never be pinned down.