Le Monde Ne Survit Pas Aux Horloges is a French experimental short built around time, memory and the uneasy relationship between contemporary life and the passage of hours. The film treats clocks and mechanical time as visual and conceptual motifs rather than simply using them to advance a conventional story.
The project belongs to the experimental tradition, emphasizing atmosphere, editing and visual association. Its deliberately elusive structure invites the viewer to interpret the connection between timekeeping, repetition and the fragility of human experience.