The Pit (2026)

Flickering hand signals from a commodity trading manual merge with ghostly glimpses of Chicago’s LaSalle Street—where gestures that once shifted fortunes now reverberate through concrete, glass, and open space. Using a fast-paced collage, the film reveals capital not as an abstract phantom, but as a pulsing rhythm flowing between human hands and towering structures, etching its invisible choreography into the city’s bones.