Ihmisiä sunnuntaina (2026)

Captured with a hand-cranked camera reminiscent of silent-era cinema and the pioneering works of the Lumière brothers, *People on Sunday* pulses with flickering frames and shimmering light—a visual signature that also defines Viita’s film. Its title echoes the German classic *Menschen am Sonntag* (1930), a landmark example of how historical events can reshape a film’s meaning over time. At the heart of both movies lies the relentless march of time and the delicate, fleeting beauty of life itself.