He Who Saw the Abyss (2026)

A pistol pressed to the temple becomes a fever dream that spirals into a tightly controlled storm of disorder. *He Who Saw the Abyss*, directed by Gregorio Gananian and Negro Leo, is like a car tearing into a turn at 300 km/h—yet moving in slow motion. Caught in an experimental vortex, the film careens between abrasive noise and near-pastoral melody, built from a chaotic heap of images that feel both hauntingly intimate and wildly unhinged. It accelerates into a trance, fractured by a montage crafted by João Dumans and Gregorio Gananian, who work to forge an immersive, high-voltage experience for the screen.